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By Rob Goald
rsgoald@comcast.net
INTERPOL
The Joint at The Hard Rock Hotel
Monday October 22
Opening the concert last Monday night for headliners Interpol was a band
called Liars. Also part of the New York night crawling, post millennium
music revival, Liars presented a set that was cacophonous and
incoherent. Front man Angus Andrew lurched around stage in a manner that
offended most of the audience with its pretentiousness and percussive
discourse.

Liars
Photo by Joe Dillworth
It was a breath of smog laden air that New York City’s Interpol provided
as they hit the stage with what turned out to be a competent and tight
90 minute set. Decked out in fashionable Dolce & Gabbana suits the
band’s hypnotic, melancholy sound is immensely catchy and captures the
imagination.
Interpol is very good at writing melodies and lyrically their songs
resonated with many in the audience. The band played tunes from its
latest album (with spectacular cover art) “Our Love to Admire”; “Antics”
and their debut, critically acclaimed first record entitled “Turn on the
Bright Lights”.

Interpol
Interpol commanded stage presence and had a well defined sense of self.
Lead singer Paul Banks, late 20’s, has a deep and resplendent voice in
the vein of REM leader singer Michael Stipe and mused about various
depressed ladies in his life over reverb drenched guitar drones from
Daniel Kessler. Carlos Dengler provided the solid bass lines, and,
appeared in his neo-Nazi garb sporting a jet black hairdo, while drummer
Sam Fogarino inconspicuously provided a solid rhythmic foundation on
drums and percussion.
The set included “PDA”, “Roland”, and the intriguingly titled “Stella
Was a Diver and She Was Always Down”. Some songs hit right away, like
the manic “Mammoth”, and the icy ballad called “Scale”, where Banks
barks, “I made you and now I take you back”. Banks also relates in
“Threesome” which is a sincere love song (“Babe, it’s time we gave
something a new try”. Also included was a rare, infrequently performed
gem titled “Specialist”.
Interpol is a leader of the New York rock renaissance which includes
bands like the Strokes and Yeah Yeah Yeahs. Often compared to Joy
Division, New Order or even Echo and the Bunnyman the band owes a lot of
its persona to the post punk revival of the 2000’s.and the influence of
David Bowie.
Paul Banks brilliant and engaging poetry comes with a cool and detached
attitude that is reinforced by glittery Goth guitars and an animal
nitrate rhythm section creating a doom and gloom ambience that is
perfect for our terror infused world.
The Joint provided the perfect backdrop for what turned out to be a
memorable and poignant performance.

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